Sunday, June 2, 2019

Thematic Comparison of Lovelace’s To Lucasta and Donne’s Song Essay

Thematic Comparison of Lovelaces To Lucasta and Donnes Song Modern perceptions of eff as verbalized in literature-- with gender equality and the abandonment of expected role-playing-- did not arbitrarily become pervasive, but are the product of centuries of incremental progression. The 17th century in particular provided a foundation for this progression, as poets for the very first time began to question the dictated structure and male domination of the Elizabethan era. Two poems of the seventeenth century, the cavalier To Lucasta on Going to the Wars by Richard Lovelace and the metaphysical Song by John Donne, each focusing on the torment inflicted by different aspects of love, lock tactics emblematic of the centurys poetry to demonstrate loves puzzling nature. Both ostensible attempts to comfort their audiences by universalizing and mor every(prenominal)y justifying loves baneful realities, they eventuall(a)y fail and leave their audiences with only exacerbated pain. To Luca sta, Lovelaces attempt to justify his departure from his lover Lucasta for the British Civil War by subjugating his sensual love to honor, fails in its illogical and contradictory nature, and acknowledges the ability of loves endurance to victimize man, while Song, by trying to alleviate the pain of fleeting love, only underscores loves inevitable elusiveness. Lovelace, one of the preeminent cavalier poets of the seventeenth century, attempts to use his particular situation with his lover Lucasta as well as an appeal to honor and patriotism to justify to all soldiers the departure of their lovers, but the poems inconsistencies obviate success. Throughout the poem, Lovelaces mind, understanding the make to go to battle, remains at war with hi... ...love for his precious Lucasta, however, inconsistencies and wavering pervade his writing, and reveal his involuntary mockery of soldierly values and his unbreakable bond to Lucasta. As he must venture into battle, he becomes a victim of loves enduring impregnability. Donne, in his Song attempts at first to comfort all men who baffle encountered the difficulties of romantic relations. With his strong, dominating voice, however, he obliterates the prospects of enduring love. Much the opposite of Lovelace, Donne delineates himself as a victim of loves elusiveness. What the two poems have in common is their discomforting effect on their audiences resulting from their eventual resignation to their respective perceived realities. For Lovelace, this reality is a future of battle and a separation from all that matters for Donne, it is a life void of enduring love.

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